Cassandra and I decided to host a Folk Magic workshop at the Museum of Witchcraft and Magic after Simon Costin suggested we try it. Cassandra’s book Village Witch is stocked within the Museum retail outlet, a workshop provides the readers with more information on the subject where they can also interact and ask questions in person.
It was a glorious warm sunny day when we arrived. Simon had other commitments that day, however Fergus was around if we needed his assistance. It was also good to see Judith Noble who was overseeing the Artists Residency event that day.
We had a group of 18 attendees, all with either their own individual spiritual paths or not actively practicing but with a curiosity about Folk Magic.
Cassandra knows her Craft well, she has total connection with her audience and notes down a few ‘key words’ to outline subjects she wishes to cover. This makes the talk more spontaneous and much more interesting for listeners.
Cassandra is ‘down to earth’ which has moments of amusement keeping the audience entertained and also lifting the mood when discussing more serious aspects of the Craft.
After two hours of talking and discussion, we had a break for lunch, enjoying the warm sunshine and the sea air.
The group arrived back at the Museum after lunch and Cassandra guided them on a hedgerow walk near Minster Woods so they could harvest some greenery for their witch bottles. I stayed in the library updating our business accounts and searching for the video that Cassandra wished to play to the group.
On their return, the subject of spell casting and energy raising was also discussed. The following video was an example of how working women used chants while engaging in repetitive work that helped with the timing of movements and creating a bond between all workers. One member of our group made an interesting comment about the singing, as it would become apparent if one person grew weary which would mean they needed a break or a change of tempo.
After this I asked the group to move their chairs and form a large circle so that we could place all items for the witch bottles into the centre of the space. All group members could then help themselves to what they needed. Before they began, I suggested they held their jar or bottle between their hands for a few minutes to connect with the spirits and ancestors before their work began.
While filling their witch bottles there were many conversations occurring and sharing of greenery. We explained that their bottle would not be complete at the workshop, they would need to take it home, add a bodily fluid of their choice and seal the jar or bottle by placing a real wax candle on the lid so that the wax drips down over the seal. It can also be done by binding with twine, or a modern method of sticky tape (although we do not recommend the use of plastic.)
A few group members visited the Museum retail outlet and purchased Cassandra’s book Village Witch. When they returned they requested she signed them.
When the workshop was over and everything was back in place, I took another opportunity to sit on the fabulous Gothic chair in the library that once belonged to ‘Old Horny’ the goat God who now stands in the Museum.
Thank you to the Museum of Witchcraft and Magic for inviting us to host the workshop and to all who attended for being such a wonderful supportive group. I’m sure we will be seeing you all again.